
Sell More With Great Product Shots
By Heather Conary
April 19th 2004
Imagine you're driving down a back country road, and you see
two apple stands. They both look the same, yet one charges a
few dollars more than its competitor. You decide to buy some
apples, and stop at the cheaper stand. When you peer into their
bins, you see that they're half-full of bruised, rotten apples.
You decide to try the other stand, which offers bags overflowing
with ripe, shiny red apples that look juicy enough to sink your
teeth into. As a consumer, if you truly wanted fresh apples,
you would have paid the extra money for the healthier looking
apples at the second stand. The old, bruised apples at the
first stand wouldn't have prompted you to reach for your wallet
and take them home.
Similarly, a consumer who knows he wants to purchase a specific
product online may be torn between two different online retailers.
Both may have spent much of their marketing budget on search
engine optimization and site design, in an effort to capture
this specific product-buying market. The difference between
the two may well lie in product photography.
This is where most sites turn to stock photography. And,
if you have a service business (tech support, design) or a
community site, stock photography may well be the way to go.
But, if you sell a product, you need great product shots.
So, how do you get from a plain old digital photo to a great
product shot that will entice your customers to buy? There
are several elements that you should consider. Let's look
at each in turn, in the context of a real-world example.
Quality
If you're working from a digital camera, it's imperative to
use the highest possible quality and resolution settings.
A camera with at least 3 megapixels is best, as most pictures
for the Web will stay fairly small -- they won't need the
quality provided by high-end digital cameras.
If you're starting with a photo from film, you'll need to
use a scanner. If you have access to a drum scanner, that's
great; if not, just scan it on a flatbed with a high DPI –-
around 300 dpi is usually optimal. Photos that begin blurry,
scratched and/or dusty before scanning will be more difficult
to turn into a product shot that really compels people to
make a purchase. The image below shows the photo I'm beginning
with -- a shot of a guitar, taken with a 3.1megapixel Kodak
digital camera without any special lighting applied.
Lighting
No matter how good your product is, if your original photo
is overexposed or poorly lit, no amount of editing will save
it. To end up with a truly great product shot, you need to
start with something good. Subtle, natural front lighting
against a contrasting plain background color is the best way
to begin. If you're selling green peppers, don't photograph
them on a green piece of fabric. Try red or orange -–
not only will the color pop the product if you decide to keep
the background, it will also be much easier to remove later
on.
In the image above, the guitar contrasts well with the purple
fabric -- much more so than the black. The contrast makes
it much easier to see the colors of the product itself --
the product is more vivid, more alive, and more real to the
customer.
Backgrounds
Ever wonder why products in catalogs are always shown without
backgrounds? Even clothing models are typically shown on plain
white.
Without distracting elements hovering behind the product,
a customer is free to see the product itself. Notice how the
guitar on the left in the image below is more compelling than
the one on the right? Your customers' eyes will instantly
be drawn straight to the product -- exactly where you want
it to go. The product looks cleaner, especially without the
distracting noise of the background. Also, notice the slight
drop shadow (read more about this in Final Image Enhancements).
Details
Too often, a customer will opt for offline purchase because
they cannot see a product as clearly as they could in a retail
store. Allowing multiple views is one way to solve this problem,
but it forces the customer to continue to load images. An
alternative is to use close-up bubbles, which allow the customer
to get "up close and personal" with the product,
even though they're only viewing it in 2D. The image below
shows exactly what a close-up bubble can do.

Coloration
Using Photoshop, or a similar editing tool, you can enhance
the colors of your product to compensate for the minor inadequacies
of the original photo. One important thing to remember is
to be honest with your colors -– don't change your sweaters
to green just because you have a Hue/Saturation toolbar (Photoshop:
Image > Adjustments > Hue/Saturation) if you only sell
purple. Doing so will only confuse your customers. Also, for
finer color adjustments, the Color Balance palette is a much
more precise tool (Image > Adjustments > Color Balance).
Final Image Enhancements
Tools such as Brightness & Contrast and Auto Levels are
really convenient for quick-and-dirty product shots. Not only
can they achieve instantly what it could take some time to
do manually, but they also make it easy for Photoshop amateurs
to enhance their photos.
Tools to keep in mind:
- Brightness/Contrast: Be careful
not to change the lighting too much, especially if you started
with good lighting to begin with. Not only will it be obvious
that you edited your photos, it could easily cross the line
into over-editing. You can access this palette in Photoshop
by Image > Adjustments > Brightness/Contrast
- Auto Levels: Use of this
tool alludes to one of the more advanced topics of Photoshop
use, but fortunately, anyone familiar with Photoshop can
access this tool (Image > Adjustments > Auto Levels)
To bring your image out from the background, you may also
wish to try adding a subtle drop shadow. This not only adds
depth to your image, it creates the illusion that the two-dimensional
product photo is actually a three-dimensional image, and,
in turn, that it's a real product similar to something they
could experience in a retail store. You can see what a subtle
drop shadow can do in the above figure.
Web Optimization
To bring your product shots to your customers, you should
take a final step and optimize them for the Web. Remembering
the bandwidth limitation of many customers and the limited
patience of others who don't wish to wait for images to load,
resizing and optimizing should be your final -- and perhaps
most important -- step.
Image dimensions should usually stay under 400 pixels by
400 pixels. If a customer wants a larger image, and thereby
agrees to wait for the image, you can offer a link to a larger
version. This allows investigation of your products in depth
by very interested or high-bandwidth customers, without impeding
other customers who may be on slower connections. While this
really has nothing to do with the product shots themselves,
it can be a critical ingredient to increased sales.
Conclusion
Always keep in mind that you're trying to sell product. If
you wouldn't purchase something from your own Website because
of the image quality (or lack thereof), something needs to
change.
What's visually attractive to you may be just as attractive
to your customers -- or may indeed be the exact opposite.
Always test product shots on friends, family, or co-workers
to see what they think. If you happen to run out of ideas
about how to display your products, look around at other successful
retail Websites to see how they do it. An overlooked reason
for their success may be their product shots.
Just remember, no one wants old, bruised apples, so make
sure yours are shiny, new, and worth buying.
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